Elective Course
Credits: 3-0-3 (3 semester hours)
Type of Course: Lecture
Instructors: Lane M. Duncan
Prerequisites: None
Course Overview: It is the intention of this course to explore both the theory and technique of the medium of watercolor painting, in particular, as it applies to architectural representation. Historically, an understanding of the fundamental principles of watercolor as a design tool has been considered indispensable in the education of the architect because of its insistence on an accurate knowledge of form and space, value contrast and scaling of color. Its method of production is nothing less than two-dimensional "sculpture". For centuries, it has been the preferred medium for architecture students and artists alike making the Grand Tour of Europe because of its easy portability, quick execution and wide range of colors and values.
Learning Objectives: Representations in this medium might be divided into two major categories according to their dominant characteristics: descriptive and expressive. It is the objective of this course to explore both and for the student to gain the ability to employ both in his or her own work in a skillful manner. Studio periods will involve Lectures and workshop discussions on content and theory as well as application of materials and techniques.
:Course Requirements The early part of the semester will be spent in studio on initial exercises examining materials, techniques, perspectival composition and artistic theory. As the weather permits, the latter part of the semester will be conducted painting on site.
- Materials - a complete Materials List will be supplied by the instructor: paint, brushes, paper, frames, etc.
- Precedent Theory Lectures - expressive vs. descriptive approaches: Turner, Sargent, The Beaux Arts, analytique.
-Expressive Studies - experimentation in color and application technique: hue, value, complements, neutrals, temperature, wet on wet, dry brush, etc.
-Descriptive Studies - geometric constructions: graded washes, forms in light, etc.
-Perspective Studies - composition: foreground, middle ground, background, two point constructions, observed perspectives.
-Value Studies - charcoal shades and shadows.
-On Site Painting - various locations.